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The Selfish Gene

How Genes Shape Life and Behaviour

Richard Dawkins

First published
1976

Pages
528

PDF language
Portuguese (Portugal)

Field
Science

Cover of The Selfish Gene

About the book

In The Selfish Gene, Richard Dawkins takes the reader to evolution’s invisible centre and radically shifts the perspective: the great protagonists of life’s history are not species, organisms or even individuals, but genes — ancient, persistent replicators capable of crossing generations by using bodies as temporary vehicles of survival. Life ceases to look like a succession of isolated creatures and becomes a long molecular strategy, in which each organism is a provisional machine built to carry genetic information through time.

The book’s strength lies in showing that the gene’s so-called ‘selfishness’ does not mean moral selfishness. It means only that natural selection favours what replicates most effectively. With this key, Dawkins reinterprets altruism, cooperation, aggression, kinship, conflict between generations, the battle of the sexes and animals’ social strategies. What seemed pure generosity or inexplicable sacrifice becomes a deeper evolutionary choreography, in which invisible genetic interests run through organisms, families, groups and behaviours.

But The Selfish Gene does not reduce life to mechanical coldness. On the contrary, it makes life stranger, more dizzying and more intellectually illuminating. Genes appear as ‘immortal coils’, travellers on immensely long journeys, while bodies are temporary alliances, survival machines, biological experiments sent into the world. At the work’s most famous point, Dawkins extends the logic of replication to culture, introducing the meme: ideas, beliefs, melodies, symbols and habits that spread from mind to mind as new replicators.

The Selfish Gene is one of those works that changes the reader’s position within life itself. Afterwards, nature no longer seems simply beautiful or cruel: it seems strategic, profound, impersonal and prodigiously inventive. Provocative, elegant and explosive, it forces us to rethink who we are — not the centre of creation, but one of the extraordinary forms through which life learned to continue.

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